Every Zack Snyder comic film was rated worst to best

0



How does Zack Snyders comic films rank from worst to best? Snyder is one of the most polarizing directors in Hollywood, but he’s also an integral part of the most popular film genre in modern studio filmmaking right now. In a culture where comic fandom is inextricably linked with film fandom, Snyder makes an interesting figurehead. As a child, he was a voracious comic book reader. One of the main goals of his career as a director seems to be to bring your imagery to the big screen.

His success on this mission is undeniable. Naysayers can criticize him for his inadequacies in creating compelling characters or for his clumsy style, but his passion for bringing the vibrancy of a graphic novel to the cinema has been evident since his breakthrough hit 300 Based on the work of Frank Miller and Lynn Varley, this film became an instant phenomenon and changed action filmmaking forever. It also heralded Snyder’s distinctive style, a combination of machismo excess, sepia coloring, and slow motion that has shaped his filmmaking to this day.

Related: How Affleck’s film would have been different from Pattinson’s The Batman

In 2021, Snyder emerged from the tragedy of his daughter Amber’s death to release two new films, including the infamous 2017 “Snyder Cut” Justice League. As a visual stylist and master maximalist who continues to unreservedly shoot the films he wants to make, Snyder is without a doubt the most visually distinctive modern superhero director. Here are his comic books from worst to best.

5. Batman vs. Superman: Dawn of Justice (2016)


Batman confronts Superman in Batman Versus Superman Dawn Of Justice

It’s a fun schoolyard exercise: “Who would win in a fight, Batman or Superman?“Somehow, but inflated to two and a half hours (three in the better, but still missing” Ultimate Edition “) and with all the pomp that Zack Snyder brings, the fun is out of the question here, easy to say Batman vs. Superman: Dawn of Justice is too dark, but that ignores the fact that it’s even just a remarkably boring, joyless movie. Snyder is a formidable visual stylist as ever, but his flaws in dealing with the humanity of these mythical characters harm his attempts to deconstruct the two most iconic superheroes of all time. Henry Cavill cuts a formidable figure in his second round as Superman, but he’s light years away from the three-dimensional movie star appearances he like in films. gives Uncle’s husband and Mission: Impossible – Fallout. The same goes for Ben Affleck’s Batman, whose looks have a fantastically graphic, “bruiser” quality, but whose performance feels so hindered by the film’s alienated and clumsy setting that it becomes lifeless. In a way, these performances represent the dichotomy of all of Snyder’s work: smooth, stylish visuals that are put on sub-par storytelling. However, Dawn of Justice Nor does he ever get to justify his central battle by turning him away with a poorly executed conspiracy in which Batman is manipulated by Lex Luthor (an amazingly miscast Jesse Eisenberg). The Justice League’s half-hearted establishment doesn’t help with the film’s focus either, though an appearance by Wonder Woman in act three gives the film a much-needed rush.

4. Man of Steel (2013)


Superman prepares to fly in a snowy environment in Man of Steel

The first DCEU film based on Christopher Nolans Dark Knight Trilogy is complete, man of Steel sees Warner Bros. mimicking the grumpy aesthetic of these films to produce shaky results. It’s a flawed plan for several reasons, the main one being that the neo-noir graininess of Batman doesn’t translate well into the adventures of a spandex-wearing flying man who is supposed to symbolize hope. The bigger problem, however, is that Snyder isn’t Nolan, and while that’s more than okay in theory, the movie’s insistence that the director ape his predecessor’s style makes him fail. Nolan is a tactile filmmaker. Snyder is a fantastic maximalist who is far more interested in creating myths and capturing the abundance of the most graphic comics. That talent serves the film well in its opening sequences, as the destruction of Krypton is pure pop fantasy filmmaking and the Malickian visual lyric of Superman’s genesis is refreshingly frugal and beautiful. Unfortunately, the film tries to refine both the character’s psychology and is completely inarticulate in the process. This leads to a film that actually doesn’t give Henry Cavill’s Clark Kent much to do in lieu of looking like a Greek god and leveling entire cities. His gloom never feels warranted and deflates the wings of a superhero who is primarily supposed to soar.

3. Zack Snyder’s Justice League (2021)


Cyborg, The Flash, Batman, Superman, Wonder Woman and Aquaman line up in the Justice League

Fans wanted the Snyder Cut, and they got it. For better or for worse, this is the purest distillation of all things by Zack Snyder: a massive superhero epic painted in a desaturated hue and oozing with ambition, presumption and lots of slow motion. Much of its appeal is undoubtedly due to the bizarre confluence of events that led to its existence, with Snyder abandoning the problematic post-production of the 2017 film after the tragedy of his daughter’s death and bringing Warner Bros. Joss Whedon into play with the Inject the Film some Marvel-esque humor, the Frankenstein movie bomb, fans asking for the “original” (nonexistent) edit, and HBO Max in search of lively content to be programmed in amid a global pandemic. Zack Snyder’s Justice League came at an important moment when Whedon’s star had fallen and Snyder was perceived as a writing underdog, and all of that context made the film an event. On its own, the film is undeniably better than the theatrical version. For a superhero film, it’s undoubtedly and refreshingly the vision of a single artist. His characters are more clearly drawn, especially Ray Fisher’s Cyborg, and Ciaran Hinds’ Steppenwolf gets a more convincing design and arch. However, a film cannot be called a triumph just because it is better than another, much worse version of itself. At four hours, this is still a cluttered and unwieldy work that hardly freezes into a coherent film. This is the work of a maximalist who throws everything on the screen to see what gets stuck; For fans who want a real Snyder Cut, you couldn’t ask for anything better. However, mileage may vary for casual movie-goers looking for an appealing movie.

Related: Every New God Featured in Zack Snyder’s DCEU Films

2,300 (2006)


Gerard Butler in 300 for 4K UHD release

Nobody ever called Snyder a subtle filmmaker. His basic film philosophy is that movies based on comics should look exactly like the comics they’re based on. They should be tall, loud, graphic, and full of massively proportioned people who resemble superhuman gods. To this end, he has never done anything more coherent than 300 An immediate phenomenon that had a huge impact on action film production after its release is this sepia-colored blood sport of a movie, a remarkably faithful adaptation of the graphic novel by Frank Miller and Lynn Varley. The action sequences are bursting with the vitality and pop art composition of these artists, the slow motion, speed ramping and CGI blood shown from start to finish. It also means that Snyder either shares the book’s neo-conservative backbone or doesn’t want to challenge it with serious shouts of shout “Freedom is not free” a catchphrase that was mocked in Trey Parker and Matt Stone only two years earlier Team America: World Police. Of course, the film is also steeped in homoerotism, so perhaps its convoluted politics should never really be explored. 300 is a movie that is felt better than lingered, and indeed, Snyder has one such ball that dismembered his cast and forces Gerard Butler to shout things like “THIS IS SPARTA!” at the height of his lungs that it all becomes intoxicating even for naysayers.

1st Guardian (2009)


Watchmen movie reviews

Maybe comics were never meant to be made into a movie. Perhaps their graphic, pop sensibility and mythical characters have always matched two-dimensional drawings created by phenomenal visual artists. In many ways Guardian is the apotheosis of that tension, and Snyder is the greatest proponent of seeing these works faithfully and visually depicted on the big screen. So much of the power of Alan Moore and Dave Gibbons’ classic graphic novel lies in its inherent comic book character, as it undermines heroes like Superman and Batman and shows how problematic their existence would be in the real world. Removed from the comic book context, it remains for Snyder to recreate the impressive images from the book. The result is a film that is much more hollow than its source material, but it is also the filmmaker’s charm that is capitalized: his dedication and passion for the fanboy led him to transfer the evocative art of a two-dimensional image to the cinema . In many ways, Zack is Snyders Guardian was ahead of its time; Now that the cinema market feels like a comic book store, this 2009 film finally feels like the adult cinematic subversion it should. What it always was is Zack Snyder‘s most human effort, filled with phenomenal accomplishments and proof that it really is under the smooth visual style a beating heart.

Next: Zack Snyder Movies Ranked Worst to Best (Including Army of the Dead)


space jam 2 reviews bad negative reason rotten tomatoes

Why Space Jam: A New Legacy Reviews Are So Bad


About the author



Share.

Leave A Reply